On today’s Explicit Content Podcast I am talking to Luke Hurd who by day works as a Digital Immersion Director at Signal Theory & augmented reality filter creator artist with over 100k followers on In…Read More
During the first 10 minutes of Jeff Julian’s interview with Ardath Albee, I literally started to sweat. Then Ardath Albee asked a question that gave me great pause “What makes it different and more compelling?” By it, she means content and I started to sweat because I do not have an answer for that at present.
What I do have, are a few major takeaways from this interview and a map for what I need to do.
I have three major “takeaways” from this interview:
- You better have compelling, well-written content
- Your content better be nurturing the customer every step of the purchase cycle
- You better be timing that content so that it is clear you know where they are in the purchase cycle as well.
Well, dang, Ms. Albee! “What if I am a one-woman marketing department or have limited resources to data?” I ask aloud trying to apply these brilliant insights into my own endeavors. It was then Ardath Albee asked another really important question,
“What about all the content you already have?”
It was at this point that I stopped panicking and the sweating abated a bit.
But what makes the content compelling?
So it was with great pleasure that I took to task writing this post about Jeff Julian’s interview with Ardath Albee for Enterprise Marketer because it’s great content that has plenty of life left to live.
But what makes the content compelling? Lots of data? Nope. That’s not what captures me and I am pretty sure it isn’t what captures the average bear or the key decision maker. Dont’ get me wrong, I am a “dataphile” like most marketers, but data is great for making a strong case during a meeting, not engendering interest and loyalty from customers.
So I did a little digging and came across the timely presentation by Geoff Colvin, Editor at Large for Fortune magazine. On November 30, Mr. Colvin delivered IPR’s 55th Distinguished Lecture on November 30 in NYC. In Colvin’s presentation “Lessons for Communicators in an Unpredictable World,” he explains how communicators can still make an impact through face-to-face interactions and storytelling in a world overrun with technology.
I have now completely stopped sweating and am holding Aradth Albee’s phrase “more compelling content” close to my heart. Near the end of his presentation, Geoff Colvin says, “People rarely change their minds based on data. It’s stories that move them.” That got me thinking about a story that tracks the customer all the way through the purchase cycle. The visual that came to mind was actually the Marcus Mumford cut, “When I Get My Hands on You” from The New Basement Tapes that features a female figure walking through a city and through gorgeous imagery, tells a sweet and heartfelt story. If you haven’t seen it, check it out not only because it’s beautiful but because it is makes for a wonderful visual of tracking the customer through the entire purchase cycle. Apologies to Marcus Mumford as I know he did not intend to reflect the consumer purchase cycle with this video.
This visual is helpful to me because now I have a visual that I am comfortable with and moved by rather than a stock photo of a “persona.” I realize that’s quirky of me but whatever gets you through the night, right?
I am now imbuing said walking girl with all of the characteristics of my primary target persona and I can now see her all the way through the purchase cycle. Now, all I have to do is tell the story of her journey at strategic points along the way. As a creative writer when I have the time and inclination, I found the challenge of developing a compelling story for walking girl at strategic points not only an achievable task but an exciting task as well. I realize I have to be in the story or awfully close to it (perhaps third person, omniscient narrator) to be able to tell it well.
Ardath Albee tells Jeff Julian during the interview that, “If we stop thinking about what we want first, we can think about what our customers want.” I can liken this concept to great storytelling! The art is in the unfolding of the story that keeps the reader in mind first and foremost. A little foreshadowing here, a little alliteration there, some killer personification, and you have the reader hooked.
While storytelling is clearly by no means a new notion for marketers, I think compelling is. Let’s look at the formal definition of this word:
com·pel·ling adjective - evoking interest, attention, or admiration in a powerfully irresistible way.
“his eyes were strangely compelling”
My favorite synonyms (per Google) are riveting, spellbinding, and irresistible.
My New Rules
While I am still working on the story, I am doing so with a handful of new rules that I learned from Albee and Julian:
- Know your persona and personify the dickens out of them so you know them almost (or better) than you know yourself.
- Do not patronize this persona by telling weak, uncompelling stories that are clearly motivated by “storytelling” more than a true and thoughtful understanding of the consumer as a human being with a soul.
- Once you get it right, replicate it and use this content over and over as you acquire new customers. While the story may get a little old for you (like the Little Mermaid does for me because I lived in Copenhagen and took WAY too many tourists to see that less than mammoth statue of her in the harbor) and remember that they are hearing the story for the first time.
This feels authentic. This feels right. Walk on walking girl, walk on…